Music

Utah Music articles published in 15 Bytes, Utah’s art magazine, including classical, chamber, jazz, world, experimental.

Daily Bytes | Music

The Utah Symphony and Thierry Fischer slide into the Shadow of Mahler

Utah Symphony Recording, Mahler’s Symphony No.1 | Reference Recordings | Release Date: September 11, 2015 The Utah Symphony has a Mahler performance tradition, one that began when Maurice Abravanel became its third and most influential music director in 1947. This tradition helped to place the orchestra on the national and international map of major […]

Music

Intermezzo Contemplates Words and Music

In a novel and effective move, each piece, and each movement in the case of the Brahms, was prefaced by a reading of lines of poetry, or lines from a play, or in the case of the Glinka, a narrative of a brief portion of the composer’s life in the composer’s words. Three actors/actresses from Salt Lake Acting Company performed these readings. They were Olivia Custodio, Robert Scott Smith, and Alexis Baigue.

Music

NOVA Chamber Music Series Brings Beethoven and Rihm to Park City

Utah Symphony Associate Concertmaster Kathryn Eberle and Principal Symphony Keyboard Jason Hardink have been threading their way through all of German composer Ludwig van Beethoven’s ten violin sonatas since the fall of 2013. This is when Utah’s NOVA Chamber Music Series began its Gallery Series at Salt Lake City’s Art Barn. Now the Series has expanded to another small venue, Julie Nester Gallery in Park City. This most recent concert took place this past Thursday evening April 16, 2015.

Dance | Music

Wachira Waigwa-Stone

Music and dance have a long history of coexistence; students of dance history learn quickly of the relationship between Martha Graham and Louis Horst, identifying the way in which music is often the lens through which audiences find entry points for movement. And, while ballet companies often have […]

Daily Bytes | Music

Utah Symphony premieres new work by Augusta Read Thomas

When a symphony orchestra performs a concert that includes a Beethoven concerto, a Prokofiev symphony, and a world premiere composition by a living American composer, the chances of the premiere being able to withstand any comparisons are remote. But remote does not imply impossible. And EOS: Goddess of the Dawn (A Ballet for Orchestra) complemented the other two works exceedingly well — it is engaging from the first chords to the last.