When art addresses topics on a conceptual level, the concept becomes the subject of that art. In BYU Museum of Art’s exhibition Cliché and Collusion: Video Works by Grant Stevens, the subject is mass media and the many questions associated with mass media. This is a widely discussed topic today, a […]
by Bren Jackson William Post’s simple, small platinum prints, sixty of which are now on display at the Brigham Young University Museum of Art, do not shout for attention. Rather, it is the images’ unassuming presence that intrigues and draws the viewer in. Primarily landscapes, Post’s images emphasize the solitude […]
Occasionally, there is a place and time — a school, a salon, a section of a city — which seems to be a focus for more than its share of talented artists. One such place was the Kunstakademie Dusseldorf between 1973 and 1987. During that time, Bernd Becher […]
Exhibition Profile: Provo Thoroughly Modern: Henri’s Women by Christopher Wilson At the dawn of the 20th century, a revolutionary American art teacher inspired a group of women artists to break from tradition and create art that reflected their lives. Nearly a century later, a new exhibition at the Brigham […]
I enjoy exhibits at BYU’s Museum of Art. Regardless of the actual pieces shown, the museum almost always manages to create a wonderfully crafted and visually interesting exhibition. The more I visit the museum, the more I am convinced of the curatorial expertise that has used a unique […]
